논문
신라의 미의식 연구
저자 : 김소희 (숙명여자대학교 의류학과), 채금석 (숙명여자대학교 의류학과) ISBN :
발행기관 : 한국의류학회 발행년도 : 2013
간행물 : 한국의류학회지 제37권 제4호 권·호 : /
페이지 : pp. 452 - 466(15 pages)
첨부파일
첨부아이콘 신라의미의식연구.pdf
소개
키워드
#신라 #통일신라 #신라 복식 #신라의 미 #신라의 미의식
초록
The Silla Dynasty was an open society and was an independent, creative, brilliant culture built on diverse cultures and values. Transforming from the Silla Dynasty to the Unified Silla, it unified the culture of the Three Kingdoms into one. It also displayed unique clothes that adapted new foreign elements into rich clothes forms unlike previous styles. This study first classifies the aesthetic consciousness of the Silla Dynasty by exploring the beauty of the Silla Dynasty realized through artifacts, books, and records in the Silla Dynasty and defines the each characteristic of the aesthetic consciousness. Second, it highlights the independency of Korean beauty through an investigation of how the aesthetic consciousness form appeared through these new appearances in the aesthetic consciousness of Silla Dynasty clothes. The results of the study show that the aesthetic consciousness of the Silla Dynasty can be inferred through Silla Dynasty artifacts, literature, sensuous beauty, and records that were classified into random natural beauty, humorous beauty, and decorative technical beauty. The Silla Dynasty aesthetic consciousness and aesthetic consciousness appeared in Silla Dynasty clothes based on the aesthetics of authenticity that created the honest and simple aesthetic moving of the early natural aesthetic sense of the Silla Dynasty. Silla Dynasty clothes are found to have transformed into an ornamental aesthetic consciousness of a sensual and decorative aesthetic consciousness in a Unified Silla.
다음글 : 청도지역의 견훤전승과 사실 또는 형상의 역사
이전글 : 시조의 종장 운율 구조의 의미에 대한 통시적 이해